1) There are lots of unifying themes and grounds of meaning besides God -- the motherland, the continuity of the family, evolution, personal actualization, etc.
2) I disagree with most statements to the effect that "everything is different now", though the OP has a couple of interesting points. First -- disconnectedness has been a theme in the arts since the turn of the century (Dada, Sartre, etc). Second, I think that folks sitting around the campfire in the Kalahari probably like drama just as much as we do, they just that their media are different -- stories, songs, and low tech ritual versus TV; but I think the charge of meaning is the same, even if the amount of color and noise is vastly different.
I would say we've even lost that. A hundred years ago people might have hung their hat on any of those things you mentioned -- or more often than not, moralistic religion -- but at least they were part of some kind of grand story. Now it feels like we're all kind of floating out there. We're the middle children of history as Tyler Durden so eloquently said.
We're certainly all hard-wired for a narrative, I just had too many experiences in college, where I was like "Are you serious?! You're re-enacting last weeks episode of the Real World!" :)
1) There are lots of unifying themes and grounds of meaning besides God -- the motherland, the continuity of the family, evolution, personal actualization, etc.
2) I disagree with most statements to the effect that "everything is different now", though the OP has a couple of interesting points. First -- disconnectedness has been a theme in the arts since the turn of the century (Dada, Sartre, etc). Second, I think that folks sitting around the campfire in the Kalahari probably like drama just as much as we do, they just that their media are different -- stories, songs, and low tech ritual versus TV; but I think the charge of meaning is the same, even if the amount of color and noise is vastly different.